Howl’s Moving Castle
Howl’s Moving Castle
Let’s go on an adventure.
I love Zac Gorman so much that when we were sending out the new Retrofit book this week and I noticed one was going to him, I covered his envelope in TMNT stickers. Extra Donatellos. Such is my love for Zac Gorman.
A take on Roald Dahl’s “Matilda” I did earlier this year!
Oh my gosh these are fantastic. What an adorable Matilda.
Hey guys! I recently moved 2500 miles to a new country for college, and flying home is really expensive, so I’ll be staying here for winter break. However, my dorm charges an extra $200 for staying, money which I don’t really have. (I also need to buy warm weather clothes. Boots are so expensive. ;_;) So it’s commission time!
- $10 = A character sketch in black and white or with simple flat colors. (x) (x)
- $15 = A character in a scene, with a simple background and flat colors. (x)
- $20 = A finished full body character with a simple background, flat colors, and shading. (x)
- (+$5 for every extra character.)
Paypal only. Please message me if you’re interested! :)
Literally me if I ever try to be a parent
oh my god the labyrinth one <3 XD
These are all amazing.
I love the Avengers Family. And the Despicable Me family.
!!!!!! I love them all!!!
So I was chatting with the lovely Justin Oaksford yesterday, and he casually asked if I used photo reference for my recent Rolemodels piece- not as a bad thing, but because the pose and the camera angle read well. Pretty sure I grinned like an idiot when he brought it up because, goddammit, I’m proud that the work shows! I’ve felt like my work has been somewhat stilted as of late- I could feel myself subconsciously trending towards easier angles, easier poses, easier expressions just because it’s slightly less frustrating for my brain to process- so getting that confirmation from a colleague was pretty damn satisfying.
I think there’s a tendency for artists to take pride in being able to draw out of your head, and, while that’s an admittedly important skill, what’s actually important is what that skill implies- it implies that you’ve internalized reference. That you’ve spent so much time looking at the world around you, studying it, drawing from it, breaking it down, that you’ve amassed an extensive mental library that you can draw from. You are Google reborn in the shallow husk of a human being.
But heck, the world’s a big place- what are the chances that you ever get to a point that you’ve internalized all of it? Internalized it AND ALSO are never going to forget it ever? Probably no chance at all. Sorry buddy. So rather than bemoaning the fact that we don’t have impenetrable search engine cyborg brains- yet- you sure as hell better still be using reference to fill in/refresh those empty shelves in your mental library. You shouldn’t have worm-ridden books about dinosaur anatomy from the 60’s in there. Stegosauruses with brains in their tails? CLEAN THAT SHIT OUT.
So my general process for using reference of any sort is:
- loose thumbnails and brainstorming. If you have an idea, get that raw thing- unadulterated in it’s potential shittiness- onto paper. Good art is a combination of both instinct and discipline, so you don’t want to entirely discount those lightning strikes of brilliance. Or idiocy. Happens to all of us.
- research and reference. Start gathering and internalizing whatever reference is pertinent to your piece- could be diagrams, art, photos, good old-fashioned READIN’, whathaveyou. Please note that this doesn’t mean find one picture of a giraffe- this means find tons of photos of giraffes, read about giraffes, understand giraffes, and learn how to incorporate that knowledge into your art with purpose and intent (Justin uses the word “intent” a lot so I’m stealing it). Don’t blindly copy what you see, but understand how to integrate it in an interesting and informed manner.
- studies and practice. Could be lumped in with the previous step, granted, but it’s worth reiterating- if you’re drawing something new, it’s worth doing some studies. You discover things that you wouldn’t otherwise by just staring at them. It’s weird how I’m still learning this- “Gee golly, six-shooters are way easier to draw now that I’ve drawn a ton of them!” Yes wow Claire BRILLIANT. Gold star.
- go for the gold. Finally, I’m sure it goes without saying, you integrate all of that research and knowledge into your initial thumbnails. If you learned something about anatomy, or fashion, or color, or butts, now you can drastically improve your original idea with this newfound knowledge. Also, per the images above, this is also your chance to improve on the reference- photos are a fantastic tool, but trust your instincts. Cameras can’t make informed decisions.
…So that’s my soapbox- it’s pretty easy, and it’s totally worth it. Research and reference lets you stand on the shoulders of giants- it lends legitimacy, specificity, and allure to your work that wouldn’t be there if you were just drawing out of your head 100% of the time. To put it simply- it makes your work ownable. It makes you stand out.
It makes you a better artist. :)
Reference! Reference! is a free database that collects different video clips, with categories ranging from facial expressions, to styles of fighting, and animals in motion.
You can play and pause the videos, and move through them frame-by-frame easily.
I’m freaking out, man.
Ellen Ripley by Ïve Bastrash.
I wanna marathon now.
How to draw folds
Notes on how to draw folds back when I was teaching manga classes back in 2006. From the book “Drawing people” by Barbara Bradley.
This book has a very detailed description of 6 types of commonly seen folds and I think is one of the most educational resource on how to draw folds(Besides Vilppu and Bridgeman).
I’ve waited all my life for this…
Artworks by Fabien Mense for (CG) TV series “Robin Hood, Mischief in Sherwood” (© Method Animation).
Today marks one year since my nephew Trey passed away.
It’s hard to process, really. There was always risk of losing him because of his health problems, but I fully expected that one day I’d get to find out what was going on inside that mind of his, to see him run and play with his brothers and sisters.
I can say this: the past year has left me more compassionate, or maybe just broken. But I can relate to people now that I couldn’t before. Their hurt is now my hurt, because I can understand it all the better.
I’ll end with a candid quote from “Star Trek: TNG.”
Lt. Cmdr. Data: Sir - the purpose of this gathering… confuses me.
Capt. Picard: Oh? How so?
Lt. Cmdr. Data: My thoughts are not for Tasha, but for myself. I keep thinking how empty it will be without her presence. Did I miss the point?
Capt. Picard: No, you didn’t, Data. You got it.
- Season 1, “Skin of Evil”